While recovering from an assassination attempt four days before his
coronation, a stern prince is replaced by a heartfelt lookalike.
Showing posts with label Movie 2015. Show all posts
Showing posts with label Movie 2015. Show all posts
Prem Ratan Dhan Payo 2015 Movie Free Download
Tamasha Movie 2015 Free Download
Based in France, this unusual fairy tale unfolds the lives of a nomad
and a tourist who gradually develop fondness for each other as they
orchestrate 'Tamashas' all across the island.
Director: Imtiaz Ali
Writer: Imtiaz Ali
Writer: Imtiaz Ali
Stars:
Deepika Padukone,
Ranbir Kapoor,
Javed Sheikh | See full cast and crew
Storyline
Tamasha is about the journey of someone who has lost his edge in trying
to behave according to socially acceptable conventions of the society.
The film is based on the central theme of abrasion and loss of self that
happens in an attempt to fit in oneself back.
Movie Reviews
Tamasha is truly a cathartic experience. One of the most honest portrayal of human emotions and feelings on celluloid. Simply WOW! It makes you wanna cry, laugh and shout at the same time. It seriously does something to you that is hard to describe in words. Without a doubt, its Ranbir's best performance till date. He had a tough task to pull off and he does it with sheer brilliance. Deepika is soul of the film. She depicts each and every emotion with such an ease and keeps it amazingly real. BRAVO! And finally the storyteller - ImtiazAli. He went with such an unusual narrative. You feel his footprints throughout the film.Tamasha leaves an after taste, takes you to a zone which you would want to be in for sometime, alone and by yourself.
Finally, Tamasha is one of the best films ever made in Indian cinema. I repeat. Its one of the BEST films ever made in Indian cinema. Enjoy!
Tamasha | Official Trailer | Deepika Padukone, Ranbir Kapoor | In Cinemas Nov 27
Welcome Back (II) (2015) Hindi New Movie Free Download
Uday Shetty and Majnu Bhai have left the underworld, and are now big businessmen. Two women, Chandni and Maharani, enter their life. Chandni is the new love in Uday Shetty and Majnu's life and both friends dream of tying the knot with her. However, Appa - Uday's father, plays spoilsport by bringing in his other daughter, Ranjana. He tells Uday Shetty to get her married to someone from a good family. Maharani puts a condition that only after her sister is married, will Chandni will marry one of them. Now, a search to find a suitable husband for Ranjana starts.
Director:
Anees Bazmee
Anees Bazmee (story), Rajeev Kaul (story), 5 more credits.
Stars:
Anil Kapoor, Nana Patekar, Dimple Kapadia |See full cast and crew.Storyline
Uday Shetty and Majnu Bhai have left the underworld, and are now big businessmen. Two women, Chandni and Maharani, enter their life. Chandni is the new love in Uday Shetty and Majnu's life and both friends dream of tying the knot with her. However, Appa - Uday's father, plays spoilsport by bringing in his other daughter, Ranjana. He tells Uday Shetty to get her married to someone from a good family. Maharani puts a condition that only after her sister is married, will Chandni will marry one of them. Now, a search to find a suitable husband for Ranjana starts.
Movie Reviews
Welcome Back - Although i didn't find Akhsay kumar good when he does Childish characters but
he was Cute in WELCOME . And thanks to Nana Patekar and Anil Kapoor with good support of
Paresh Raawal and cameo from late Feroz Khan Welcome was one of those movies from the
Director Aneez Bazmi(one of the director in Bollywood whom i dislike most) which was enjoyable
to me. But no he is not able to repeat it with the sequel. John Abraham not being anywhere close
to cuteness is one the worst actor to cast in a comedy movies (sorry fans he can do serious film
but not comedy). But John is not the worst character of the film. Rather its Nassiruddin Shah
whose character was so badly written that just after his entry (after interval) movie starts to
drag and when ever he was on screen he was irritating and not funny at all. Why exactly he
waste himself in such bad movies , don't he have better work to do. And why i am not saying
Shahini Ahuja as the worst character , thats because i actually don't consider him as being in the
movie (not worth of talking . Ahuja sir has an exceptional quality of doing bad acting even bad
as compared to Jackie Bagnani and Tushar Kapoor. Then there is Dimple Kapadia , wasted too .
And yes we have a debut too , Ankita Srivastava. Somebody please tell her that she has a really
irritating voice matched with bad expression which cant be compensated by short dresses she
wears. I am shocked that i am saying this but i really missed Malika Sherawat. So what are we
left with. Nana Patekar and Anil Kapoor and some good support of Paresh Raawal. Even if the
movie was bad but the chemistry between Anil and Nana was mind blowing. And yes the dialogue
writer have done a fabulous job. Comic jokes although not intelligent but entertaining are spread
all over the movies. Watch out for the scene when John called Anil as "AEEE TEDHE KANDHE". But
its the bad script (actually Aneez Bazmi never waste his time in writing any script so there was
no script just a situation) , bad songs and such a loud background music which will gave you the
headache . Infect i have a special complain about the background scores and the music. It was
just noise , no rhyme nothing , just irritation. The prequel had some really entertaining songs.
This one just have one
- Meet Me Daily . Not because its a great song but because Nana and
climax of ever but today i am giving that post to Welcome Back. And why showing so much on
non sense CGI if budget is not big and such CGI are not at all important to the movie. Aneez
Bazmi must have thought that the audience only contains child below 10 year. Anyways i am
tired of writing bad things and i don't have anything good to write about it. 5.6/10. Watch it for
Nana and Anil but not at all in theater rather in your TV while cooking dinner as concentration is
something which you don't need while watching this.. By ANuP APu KuMaR.
Welcome Back | Official Trailer with English Subtitles | Anil Kapoor, Nana Patekar, John Abraham
The Man from U.N.C.L.E. 2015 Full Movie Free Download
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Director:
Guy RitchieWriters:
Guy Ritchie (screenplay), Lionel Wigram(screenplay), 5 more credits.Stars:
Henry Cavill, Armie Hammer, Alicia Vikander |See full cast and crew.Storyline
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Movie Reviews
Towards the end of the movie, Henry Cavill's Napoleon Solo asks, "How's THAT for entertainment?
" (when teaching the movie's villain a lesson about monologuing), and my answer regarding this
movie would have to echo Waverly's "very good", as this film manages to out-Bond the last two
actual Bond films. While it might be the unpopular opinion, I in fact enjoyed Guy Ritchie's two
Sherlock Holmes films and so decided to give this a chance, knowing nothing about the original
TV series this movie was based on and going in with no preconceived notions. One thing that sets
it apart from other recent spy thrillers is it staying set in the 60s time period and not being
"modernised". From the opening "spy jazz" music, it sets the tone for what will be a fun ride.
Ritchie's unique directing style fits perfectly with this slick/stylish film and he proves once again
to have the right touch when it comes to blending humor with serious moments (one example
being in the most morbidly amusing torture sequence I've seen since Bond's in Casino Royale)
. Whilst there are "talky" moments and occasions where the camera lingers on a shot for a solid
moment, which those with impatience may grow restless during, there's also action (but not such
that it's overkill) mixed with humour, some emotional beats and even the odd sexy moment.
It all combines extremely well.
Interestingly, as has been noted elsewhere, the main cast aren't using their own accents for their
roles, with Brit Henry Cavill playing the American Napoleon Solo, American Armie Hammer
playing Russian Illya Kuryakin and Swede Alicia Vikander as German Gaby Teller. Cavill, who I
found dull/a bore in Man of Steel (then again, I felt that way about the film as a whole save for
Antje Traue's Faora), is far better utilised as the suave/cool Solo here (which now brings the tally
of cool movie characters by the name of 'Solo' to TWO - the other being...hmm, let's think...). He
oozes charm, confidence, elegance - all those words that make up the definition of 'suave' - and
has some great reactions. One scene I particularly liked was him just chilling, with a sandwich
and bottle of vino in a truck he commandeered, as his newly assigned partner was attempting to
escape some baddies in a boat. Just when you think Solo's almost heartless, he shows he's
become quite attached to the Russian with anger management issues and does something nice
for him (when they're not exchanging spy bugs or ramming each other through toilet stalls
Casino Royale-style). As expected, they spend the majority of the film begrudgingly working
alongside each other, bantering/arguing and showing each other up. Illya might be almost
superhuman in strength and have the fancy fence-cutting tools, but Solo has the expertise
breaking into vaults undetected...almost. Armie Hammer's better served here partnered with
Cavill than he was with Depp in The Lone Ranger. The two play well off each other and have a
nice fun dynamic. It also must be noted (since everyone's pointed it out regarding Tom Cruise in
M:I 5) that while this film has a lot of stunts, both Cavill and Hammer took part in them, with the
latter apparently giving his stunt double "hardly a chance to do anything because he's out there
doing it all by himself".
2015 seems the year of the Awesome Swedes, as Alicia Vikander joins M:I 5's Rebecca Ferguson
in making quite the memorable impression on screen. Apart from some rough-and-tumble with
Illya, Vikander's Gaby sadly doesn't get to kick as much butt as the aforementioned Ferguson, but
still proves hard to look away from when she's on screen (partly because she's dressed in
eye-catching 60s fashion - which, along with the film's score/use of songs, goes a long way to
creating the right 'mood' for the film - but also because she's awesome in other ways). Her
character, a mechanic at the start of the film, soon finds herself in the thick of the action during
a great chase scene featuring her at the wheel, with Solo in the back seat and the then unknown
to them Illya in hot pursuit (a fantastic sequence, with the directing, music, acting all flowing
together seamlessly...and manual window winders used for great comedic effect). Vikander has
interesting/fun dynamics with Cavill and Hammer, showing some different sides to her character
(one instance being in an amusing dance sequence) whilst also proving smart/helpful and that
there's a bit more to her than you might first expect. This trio of characters are a large part of
what makes the film as good as it is. Elizabeth Debicki plays the icy cold Victoria to the best of
her ability, although there's not that much going on with her that one wouldn't already suspect.
Hugh Grant and Jared Harris are both good in their small parts. Playing Gaby's Uncle Rudi,
Sylvester Groth is quite memorable in his role.
While in his Sherlock Holmes movies Ritchie showed us in slow detail what Sherlock was going to
do to his opponents (so we could actually *see* it/make sense of it before everything sped back
up and he moved in a blur), it's sort of the opposite here, where we flashback to things we
might've missed, little details and such, that are later filled in for us and thus make sense. The
use of split screen is also something he seems quite fond of, walking the line between being
used effectively and overuse. It proves an extra flourish to an already very stylised film. I
enjoyed this origin film of sorts for the team made up of our three main characters - who
hopefully we'll get to see more of in a sequel, as this ended up being a pleasantly surprising
addition to the spy film genre. For extra background info about the characters, as well as to learn
what the acronym U.N.C.L.E. stands for, make sure to watch the stylish end credits.
" (when teaching the movie's villain a lesson about monologuing), and my answer regarding this
movie would have to echo Waverly's "very good", as this film manages to out-Bond the last two
actual Bond films. While it might be the unpopular opinion, I in fact enjoyed Guy Ritchie's two
Sherlock Holmes films and so decided to give this a chance, knowing nothing about the original
TV series this movie was based on and going in with no preconceived notions. One thing that sets
it apart from other recent spy thrillers is it staying set in the 60s time period and not being
"modernised". From the opening "spy jazz" music, it sets the tone for what will be a fun ride.
Ritchie's unique directing style fits perfectly with this slick/stylish film and he proves once again
to have the right touch when it comes to blending humor with serious moments (one example
being in the most morbidly amusing torture sequence I've seen since Bond's in Casino Royale)
. Whilst there are "talky" moments and occasions where the camera lingers on a shot for a solid
moment, which those with impatience may grow restless during, there's also action (but not such
that it's overkill) mixed with humour, some emotional beats and even the odd sexy moment.
It all combines extremely well.
Interestingly, as has been noted elsewhere, the main cast aren't using their own accents for their
roles, with Brit Henry Cavill playing the American Napoleon Solo, American Armie Hammer
playing Russian Illya Kuryakin and Swede Alicia Vikander as German Gaby Teller. Cavill, who I
found dull/a bore in Man of Steel (then again, I felt that way about the film as a whole save for
Antje Traue's Faora), is far better utilised as the suave/cool Solo here (which now brings the tally
of cool movie characters by the name of 'Solo' to TWO - the other being...hmm, let's think...). He
oozes charm, confidence, elegance - all those words that make up the definition of 'suave' - and
has some great reactions. One scene I particularly liked was him just chilling, with a sandwich
and bottle of vino in a truck he commandeered, as his newly assigned partner was attempting to
escape some baddies in a boat. Just when you think Solo's almost heartless, he shows he's
become quite attached to the Russian with anger management issues and does something nice
for him (when they're not exchanging spy bugs or ramming each other through toilet stalls
Casino Royale-style). As expected, they spend the majority of the film begrudgingly working
alongside each other, bantering/arguing and showing each other up. Illya might be almost
superhuman in strength and have the fancy fence-cutting tools, but Solo has the expertise
breaking into vaults undetected...almost. Armie Hammer's better served here partnered with
Cavill than he was with Depp in The Lone Ranger. The two play well off each other and have a
nice fun dynamic. It also must be noted (since everyone's pointed it out regarding Tom Cruise in
M:I 5) that while this film has a lot of stunts, both Cavill and Hammer took part in them, with the
latter apparently giving his stunt double "hardly a chance to do anything because he's out there
doing it all by himself".
2015 seems the year of the Awesome Swedes, as Alicia Vikander joins M:I 5's Rebecca Ferguson
in making quite the memorable impression on screen. Apart from some rough-and-tumble with
Illya, Vikander's Gaby sadly doesn't get to kick as much butt as the aforementioned Ferguson, but
still proves hard to look away from when she's on screen (partly because she's dressed in
eye-catching 60s fashion - which, along with the film's score/use of songs, goes a long way to
creating the right 'mood' for the film - but also because she's awesome in other ways). Her
character, a mechanic at the start of the film, soon finds herself in the thick of the action during
a great chase scene featuring her at the wheel, with Solo in the back seat and the then unknown
to them Illya in hot pursuit (a fantastic sequence, with the directing, music, acting all flowing
together seamlessly...and manual window winders used for great comedic effect). Vikander has
interesting/fun dynamics with Cavill and Hammer, showing some different sides to her character
(one instance being in an amusing dance sequence) whilst also proving smart/helpful and that
there's a bit more to her than you might first expect. This trio of characters are a large part of
what makes the film as good as it is. Elizabeth Debicki plays the icy cold Victoria to the best of
her ability, although there's not that much going on with her that one wouldn't already suspect.
Hugh Grant and Jared Harris are both good in their small parts. Playing Gaby's Uncle Rudi,
Sylvester Groth is quite memorable in his role.
While in his Sherlock Holmes movies Ritchie showed us in slow detail what Sherlock was going to
do to his opponents (so we could actually *see* it/make sense of it before everything sped back
up and he moved in a blur), it's sort of the opposite here, where we flashback to things we
might've missed, little details and such, that are later filled in for us and thus make sense. The
use of split screen is also something he seems quite fond of, walking the line between being
used effectively and overuse. It proves an extra flourish to an already very stylised film. I
enjoyed this origin film of sorts for the team made up of our three main characters - who
hopefully we'll get to see more of in a sequel, as this ended up being a pleasantly surprising
addition to the spy film genre. For extra background info about the characters, as well as to learn
what the acronym U.N.C.L.E. stands for, make sure to watch the stylish end credits.
